A thin ray of moonlight creeps in through a crack in the vault and it seems like a blade of unearthly silver looking for Mary. It stretches in length as the moon climbs higher in the sky and at last reaches Her. It is now on Her head, where it forms a halo of pure light.
Mary lifts Her head, as if She had a celestial call, and She gets up and goes onto Her knees again. Oh! How beautiful it is here now! She raises Her head, and Her face shines in the white moonlight and becomes transfigured by a supernatural smile. What does She see? What does She hear? What does She feel? She is the only one who can tell what She saw, heard and felt in the refulgent hour of Her Maternity. I can only see that the light around Her is increasing more and more. It seems to come down from Heaven, to arise from the poor things around Her, above all it seems to originate from Herself.
Her deep blue dress now seems of a pale myosotis blue, and Her hands and face are becoming clear blue as if they were placed under the glare of a huge pale sapphire. This hue is spreading more and more on the things around Her, it covers them, purifies them and brightens everything. It reminds me, although it is somewhat softer, of the hue I see in the vision of holy Paradise, and also of the colour I saw in the visit of the Wise Men.
The light is given off more and more intensely from Mary’s body, it absorbs the moonlight. She seems to be drawing to Herself all the light that can descend from Heaven. She is now the Depositary of the Light. She is to give this Light to the world. And this blissful, uncontainable, immeasurable, eternal, divine Light which is about to be given, is heralded by a dawn, a morning star, a chorus of atoms of Light that increase continuously like a tide, and rise more and more like incense, and descend like a large stream and stretch out like veils…
The vault, full of crevices, of cobwebs, of protruding rubble balanced by a miracle of physics, the dark, smoky repellant vault, now seems like the ceiling of a royal hall. Each boulder is a block of silver, each crack an opal flash, each cobweb a most precious canopy interwoven with silver and diamonds. A huge green lizard, hibernating between two stones, seems like an emerald jewel forgotten there by a queen: and a bunch of hibernating bats is like a precious onyx chandelier. The hay from the upper manger is no longer grass blades: it is pure silver wires quivering in the air with the grace of loose hair.
The dark wood of the lower manger is a block of burnished silver. The walls are covered with a brocade in which the white silk disappears under the pearly embroidery of the relief, and the soil… what is the soil now? It is a crystal lit up by a white light. Its protrusions are like roses thrown in homage of the soil; the holes are precious cups from which perfumes and scents are to arise.
29.3 And the light increases more and more. It is now unbearable to the eye. And the Virgin disappears in so much light, as if She had been absorbed by an incandescent curtain… and the Mother emerges.
Yes. When the light becomes endurable once again to my eyes, I see Mary with the new-born Son in Her arms. A little Baby, rosy and plump, bustling with His little hands as big as rose buds and kicking with His tiny feet that could be contained in the hollow of the heart of a rose: and is crying with a thin trembling voice, just like a new-born little lamb, opening His pretty little mouth that resembles a wild strawberry, and showing a tiny tongue that trembles against the rosy roof of His mouth. And He moves His little head that is so blond that it seems without any hair, a little round head that His Mummy holds in the hollow of Her hand, while She looks at Her Baby and adores Him weeping and smiling at the same time, and She bends down to kiss Him not on His innocent head, but on the centre of His chest, where underneath there is His little heart beating for us… where one day there will be the Wound. And His Mother is doctoring that wound in advance, with Her immaculate kiss.
The ox, woken up by the dazzling light, gets up with a great noise of hooves and bellows, the donkey turns its head round and brays. It is the light that rouses them but I love to think that they wanted to greet their Creator, both for themselves and on behalf of all the animals.