Plautina stands up again and says: «I have been thinking a lot… there is so much I would like to know… everything, to be able to judge. But if I may ask, I would like to know how can a faith, Yours, for instance, be built on a ground which You said is devoid of true faith. You said that our beliefs are vain. So we have nothing. How can we achieve something?»
«I will take as an example something that you have. Your temples. Your really beautiful sacred buildings, the only imperfection of which is that they are dedicated to Nothing, can teach you how one can achieve faith and where to place it. Watch. Where are they built? Which place, if at all possible, is chosen for them? How are they built? The place is generally spacious, open and elevated. And when it is not spacious and open, it is made so by demolishing what encumbers and obstructs it. If it is not elevated, they increase its height by means of a stereobate more elevated than the normal three steps used for temples placed on a natural elevation. They are generally surrounded by a sacred enclosure, formed by colonnades and porches inside which are enclosed the trees sacred to the gods, fountains and altars, statues and stelae and are usually preceded by a propylaeum beyond which is the altar where prayers to the deity are said. In front of it there is the place for the sacrifice, because the sacrifice precedes the prayer. Very often, and particularly in the more magnificent ones, a peristyle encircles them with a garland of precious marbles. Inside there is the front vestibule, outside or inside the peristyle, the cell of the deity and the rear vestibule. Marbles, statues, pediments, acroteria and gables, all polished, precious and decorated, make the temple a most noble building also for the coarsest sight. Is it not so?»
«Yes, it is, Master. You have seen and studied them very well» confirms Plautina praising Jesus.
«But we know that He never left Palestine!?» exclaims Quintilian.
«I never left Palestine to go to Rome or Athens. But I am acquainted with Greek and Roman architecture and I was present when the genius of man decorated the Parthenon because I am wherever there is life or a manifestation of life. Wherever a wise man meditates, a sculptor sculptures, a poet writes, a mother sings over a cradle, a man toils in fields, a doctor fights diseases, a living being breathes, an animal lives, a tree vegetates, I am there together with Him from Whom I come. In the rumble of the earthquake or in the peal of thunder, in the light of stars or in flood-tide and ebb-tide, in the flight of eagles or in the buzzing of mosquitoes, I am there with the Most High Creator.»
«So… You… You know everything. Both thoughts and deeds of men?» asks Quintilian again.
«Yes, I do.»
The Romans look at one another amazed.
204.5
There is a long silence then Valeria timidly begs: «Expand on Your idea, Master, so that we may know what to do.»
«Yes. Faith is built as they build the temples of which you are so proud. They make space for the temple, they free it from obstructions, they elevate it.»
«But where is the temple in which one should put faith, the true deity?» asks Plautina.
«Faith, Plautina, is not a deity. It is a virtue. There are no deities in true faith. There is only One and True God.»
(...) 204.8 «How can we make room, clearance and elevation for our souls?»
«By demolishing the useless things you have in your “ego”. Clear it of all wrong knowledge, and with the debris make the elevation for the sovereign temple. A soul is to be carried higher and higher, on the three steps. Oh! you Romans love symbols. Look at the three steps in a symbolic light. They can tell you their names: penance, patience, perseverance. Or: humbility, purity, justice. Or: wisdom, generosity, mercy. Or, finally, the splendid trinomial: faith, hope, charity. Look also at the symbol of the ornate strong enclosure which encircles the area of the temple. You must surround your soul, the queen of the body, the temple of the Eternal Spirit, with a barrier which may protect it without obstructing light or oppressing it with ugly sights. An enclosure that must be safe and free from the love and desire of what is inferior: flesh and blood, and must aim at what is superior: the spirit. The chisel of freedom is your will-power, which will smooth corners, and remove clefts, stains and flaws in the marble of your ego, so that it may be perfect around your souls. And at the same time, the enclosure protecting the temple is to be used by you as a merciful shelter for the more unhappy people who do not know what Charity is. The porches: they are the effusion of love, of piety, of your desire that more people may come to God, and are like the loving arms stretched like a veil over the cradle of an orphan. And beyond the enclosure: the most beautiful and most scented trees are a homage to the Creator. The trees, planted on a soil previously barren and subsequently cultivated, symbolise all kinds of virtues and form the second living flowery enclosure around the sanctuary; and among the trees, that is among the virtues, there are the fountains, a further effusion of love and another purification before approaching the propylaeum near which one must sacrifice one’s carnality and repudiate all forms of lust before ascending the altar. And then you may proceed further, to the altar and lay your offer on it and finally, crossing the vestibule, you may approach the cell, where God is. And what will the cell be like? Abundance of spiritual wealth, because you can never adorn God too much. Have you understood? You asked Me how Faith is built. I said to You: “Following the method used to build temples”. You can see that it is true.»